Shading

One thing I love about photography is the way one object can look like many, depending on variable factors such as lighting, background, contrast, and hue. You can see two different pictures of a bridge and not know you're looking at the same bridge in each.

I love creating moods in the pictures I take and edit. The same place can take on varying emotional shading just because the light is different. Or, more to the point, the filter is different.





I took these within minutes of each other on a single path, but they could easily have been taken at two different times of year, at totally different times of day. Which picture makes you feel more relaxed? Which is warmer?

I also love seeing photos of the same place from two different perspectives. I took this picture...



...and then I turned around and took this one:



Looking at the first one, you might expect a different sort of structure to be in place behind the camera lens (or, if you've been to the Gaylord Resort at the National Harbor in D.C., you would have already known what was standing behind).

Feelings can often be attributed to angles or filters. We only see one perspective, one shading, and we base what we think we know off of that view. What if we could see places, moments and people through multiple filters all at once? Would it help in achieving balanced understanding, or would it overwhelm and mute unique experiences?

My self-image is wrapped up in filters. I see myself in one mirror (literally) and I think "Okay, I am a competent woman, ready to go out and smile at people and get things done". But I look in a different mirror with different lighting and I think "Wow. I'm haggard and tired, and I want to curl up in a hole and eat chocolate because I can't face anyone".

My whole day can be spent in one mood, and then I look in a mirror and get a shock: "This is what I've looked like all day?!" Sometimes it's good, sometimes it's bad.

But the face I see in these mirrors does not accurately reflect my while story. Just like the pictures of the tree-lined path above both capture the essence of the scene, externally-imposed edits changed the way we interpret that scene.

I impose positive or negative "edits" onto my reflection when I look in a mirror. The essence of who I am, or what I look like, doesn't change, but the way I interpret my worth changes. I need to see worth in that essence--the defining contours that do not change or waver. Me, free of edits. Or maybe me with all possible edits superimposed at once. A well-rounded view of me in all my various shadings.

What would that look like?