I began this blog as a way to redefine, or perhaps rediscover, the beauty of ME after losing all my hair to alopecia universalis over 5 years ago. Join me in the movement to see ourselves and our world through a lens not offered by our culture.
Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Monday, October 7, 2013

Secret Selfie

I wore hair the other night. And then I posted a picture of it on Instagram, which also ended up on Facebook:



A friend told me that I was obviously insecure and looking for affirmation.

The funny thing is that I did get a lot more "likes" on this picture than I usually get. Maybe I was just looking for an ego boost because I'm insecure. Or...perhaps I was just playing by the rules.

Facebook is such an interesting world--at least the way I use and experience it. A post about a new hairstyle blows up with 50 likes in a minute, a new baby gets over 100 in the same amount of time, and a homemade flower arrangement gets 17-20. A post about an organization rescuing young girls from the sex trade gets...a few likes. Maybe one share.

I used to get upset about that, but I think now I just accept the fact that Facebook has its uses. For me, it's not a place to get a message across. I've tried--it doesn't work in my circle of "Friends". No--I mostly use it for keeping my mom and sister up-to-date on my latest style (given that I had no style in all my years living at home) and getting sympathy and attention when I need a quick fix. I can get those things either by posting a vague yet clearly distressed status ("Days like this make me want to hop on a bus to Texas, change my name and become a bartender") or, as in the case above, by posting a carefully-crafted picture of myself that I know looks really good. I just pretend I don't know it looks good.

Is that bad? I think about friends and family who have posted "selfies". I recognize that they are putting themselves (or one version of themselves) out there, on display, in a show of vulnerability. They/we are looking for acceptance and confirmation of the beauty we think we see in ourselves. When I post a selfie, I know I will get lots of comments. People are always anxious to tell me how good I look because, well, I'm a bald woman and need a lot of encouragement. So I post a nice-looking picture to get a few oohs and aahs. Sue me.

When we make a change that we feel good about or accomplish something we're proud of, we want to share it. People have always done this--now the audience is just bigger. Rather than asking your man if you look fat in your newest mall purchase, you can ask 400 people at the same time. And they will answer you, because they are looking for meaning in the world of appearances as well.

So yes, it is shallow. But it also speaks to something that runs pretty deep, actually. Something that I write about over and over again. If there were no audience, would we still be posting selfies? Why not? Why do we need to know that someone else will be looking at our picture before we decide to take one? Why not take a selfie just for myself?

That's my challenge for you tonight/today/this week. Take some selfies and don't show anyone. In fact, take your best selfie ever and don't show anyone. At least not for awhile. Appreciate your own beauty without the need to measure it against any standards. Fill yourself with contentment that does not come from outer praise, but from inner recognition of your place in creation (Hint: you are the crowning jewel).

If you come to this place of self-love, then you can post your picture if you want. We will all love it. No one will judge you for posting a picture of yourself just to get attention. We all do it. We all want the world to know what we look like whenever we do something that looks good. Nothing wrong with that...as long as it's not identity-forming.

Sunday, September 22, 2013

Worth 1,000 words

"You're so beautiful."

"You can really pull off the bald look."

"Bald girls are sexy."

All of these lines and more have been told to me at some point since the onset of my alopecia. You'd think by now that they would have sunk in.

The problem is, a picture is worth a thousand words. And my identity and definition of beauty have been shaped by millions of images that don't reflect the truth of the words people tell me. I don't think in words; I think in pictures.

Pictures like this:



The princess with the long, golden locks shining in the sunlight. The dashing rogue kissing her in all her feminine loveliness. Well, if that had been a bald princess, the "man in black" would probably have fallen off the tower as his hand slipped off her smooth scalp...

Or this:


The mother of all hot kissing scenes. Sadly, kissing in the rain is not sexy when you're a bald woman. If you're wearing a scarf, it turns into a sopping rag plastered on your head. You can't brush that away from a lady's face. If you're wearing a wig, you turn into a wet dog--PLUS, the netting underneath shows through. If you happen to be sans headcover in the rain, then a wet mack session would turn into a manual slip 'n' slide for your partner. Maybe that would be sexy...but it's unlikely.

Ah yes, this one:



It goes without saying that this is an impossible look for a bald woman to pull off. And a scarf or wig in the wind? Too precarious.

Countless, endless images that do not represent me, yet continue to define what I want my life to look like. When I kiss my husband, I look at us from the outside and I cringe. Can you imagine a man kissing a bald woman and it looking even remotely romantic? Probably not. That's because there are no images of that to get into our psyche.

So, I'm on a search for some new pictures. Here are a few I found:


Rosanna Savone, bald bride and author of liv.luhv.rahyt (See it and love it here).


Kylie, another beautiful bald bride (read her story here).




Stefania Ferrario, model (check out her page here).


Sandra Dubose-Gibson, Mrs. Black North Carolina 2011 (See the full story here).


The only image I could find of a man kissing a bald girl...we need to work on that.

And, finally, I will add what I can to this growing bank of images:

A bald woman and a mirror. Not usually seen together.

So--if you find anymore for me, send them to redefinelabelleza@gmail.com or post them to my Facebook page!

Saturday, August 17, 2013

The Many Faces of Me

My dear uncle-in-law recently gave me the gift of sight.

At a recent family gathering, I saw people huddling over something and pointing, so naturally I was curious. As I got closer, I saw a picture of my face. And then another one. And another.

I took a minute to scan the page, and realized that every one of the hundred or so pictures I was looking at were of me. A dabbler in photography projects, my "uncle" had put together a collage of sorts out of head shots he took from my Facebook page. It was overwhelming at first. Also overwhelming was the fact that everyone had been looking at the page and picking out their favorites before I had even had a chance to see it.

But the more I looked, the more special it became to me. I have often cringed at the sight of many of these photos, but seeing them altogether was different. I was looking at a portrait of a young woman who has a good life. Each picture is a separate memory, but as a whole the pictures come together in this beautiful harmony of features. Rather than pick out my flaws, I'm forced to appreciate the many ways my face can look. I feel as if I can see myself the way others see me. This is a huge breakthrough. I don't know if this makes any sense, so I highly recommend doing a similar project to any of you who have a hard time looking at self portraits. I think you'll find beauty in "you in the context of you".

Here, I share it with you now.

Sunday, April 14, 2013

Shading

One thing I love about photography is the way one object can look like many, depending on variable factors such as lighting, background, contrast, and hue. You can see two different pictures of a bridge and not know you're looking at the same bridge in each.

I love creating moods in the pictures I take and edit. The same place can take on varying emotional shading just because the light is different. Or, more to the point, the filter is different.





I took these within minutes of each other on a single path, but they could easily have been taken at two different times of year, at totally different times of day. Which picture makes you feel more relaxed? Which is warmer?

I also love seeing photos of the same place from two different perspectives. I took this picture...



...and then I turned around and took this one:



Looking at the first one, you might expect a different sort of structure to be in place behind the camera lens (or, if you've been to the Gaylord Resort at the National Harbor in D.C., you would have already known what was standing behind).

Feelings can often be attributed to angles or filters. We only see one perspective, one shading, and we base what we think we know off of that view. What if we could see places, moments and people through multiple filters all at once? Would it help in achieving balanced understanding, or would it overwhelm and mute unique experiences?

My self-image is wrapped up in filters. I see myself in one mirror (literally) and I think "Okay, I am a competent woman, ready to go out and smile at people and get things done". But I look in a different mirror with different lighting and I think "Wow. I'm haggard and tired, and I want to curl up in a hole and eat chocolate because I can't face anyone".

My whole day can be spent in one mood, and then I look in a mirror and get a shock: "This is what I've looked like all day?!" Sometimes it's good, sometimes it's bad.

But the face I see in these mirrors does not accurately reflect my while story. Just like the pictures of the tree-lined path above both capture the essence of the scene, externally-imposed edits changed the way we interpret that scene.

I impose positive or negative "edits" onto my reflection when I look in a mirror. The essence of who I am, or what I look like, doesn't change, but the way I interpret my worth changes. I need to see worth in that essence--the defining contours that do not change or waver. Me, free of edits. Or maybe me with all possible edits superimposed at once. A well-rounded view of me in all my various shadings.

What would that look like?